Ibara of NganyaFrom the Artist To see is to know. But how can we know the unseenthe histories, the stories, or the names of a people that were undocumented or erased? I asked myself that question late one evening as I looked at the sun setting behind the hills on the Bay of Portobelo on the Caribbean coast of Panama. The view from my studio faces the ruins of a dock that was, at one time, the first encounter with Tierra Firme for many weary, shackled, and enslaved

There is this rich tradition

from the black lines

Aunt Lou (Copper) tells the story of Chong's maternal grandmother

Mar makes them come together

I believe a physical connection to the materials adds a layer of personality to the work

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The houses contain secrets

constantly drew

Kimball rarely creates prints larger than 16 x 25 inches

particularly those likely to face discrimination

The two separate processes allowed me the opportunity to combine colors printed on canvas surfaces with wooden constructions

The map does not name Texas cities or roads